Rotolight Anova PRO2 Bi-Colour 50 Deg Standard

With an output that’s 70% greater than its predecessor, the Anova Pro 2 Bi-Color Standard LED Light from Rotolight has a host of features that would fill just about any image-maker wish list. The fully dimmable fixture has a colour that’s variable from a warm 3150 to a cool 6300K – a range expansive enough to meet any ambient light challenge. Onboard CineSFX is the key to dramatic lighting looks such as fire, lightning, TV, film, neon and spark simulation, police, paparazzi, and gunshot visual effects. Designer Fade mode provides custom fade up / fade down interview or production effects for DSLR videographers and creative cinematographers, reducing the time required in post-production. True Aperture Dimming eliminates metering by calculating and displaying the correct f-stop for your subject at a given distance, while colour phosphor Accucolor technology guarantees precise rendering of colour with a CRI/TLCI rating of 96/91. FX Slave allows the unit to be slaved to up to 512 third party light sources in real-time without delay, to create powerful lighting effects for large scale productions.

Added to this comprehensive bounty of professional features is a flash function. The Pro 2 has a built-in Elinchrom Skyport receiver that provides wireless triggering plus brightness and colour adjustments at distances up to 656′. You can control up to 10 lights in 4 groups. Another striking feature tied to the flash function is High-Speed Sync (HSS). You can shoot at shutter speeds as short as 1/8000 sec. to freeze action, use wide apertures, or control the strong backlight. The Anova Pro 2 Bi-Color Standard LED Light comes with a 4-piece filter set and includes a multi-voltage AC adapter, but you can also shoot with optional batteries when mains power is unavailable, thanks to the light’s V-mount battery plate.

Features:

Designed for television, filmmakers and professional photographers

Continuous LED light and High-Speed Sync flash (1/8000)

Adjustable colour temperature (3150-6300K) in both continuous and flash mode

High light output

Impressive battery performance – industry-leading energy-consumption-to-power ratio

Outstanding colour accuracy (CRI 96, TLCI 91) for flattering skin tones

HSS Flash Mode provides 250% more light output

Zero recycle time, no power loss

Ideal for high frame rate cameras

Built-in Elinchrom Skyport wireless flash receiver (656′ range)

Wireless control of up to 10 lights in 4 groups

CineSFX Mode for custom FX (fire, lightning, TV, gunshot, paparazzi, police, and more

Totally flicker-free at any frame rate. 70% brighter than Anova PRO 1

True Aperture Dimming calculates your aperture at a given distance

150,000 Full power flashes on a single Rotolight V-mount battery

4-Piece filter kit includes: full and half diffusion, cosmetic peach skin diffusion, and magenta

CineSFX

Provides a powerful arsenal of customizable lighting FX (CineSFX) for television, production, feature film application on set or location (Strobe, Lightning, Fire, Cycle, Throb, Police, TV, Spin, Weld, Spark, Film, Neon and Gunshot). CineSFX eliminates the need for legacy ‘flicker box’ workflows, saving time and cost to achieve powerful lighting FX

FX Slave

Enables the CineSFX effects to be slaved to up to 512 third party light sources in real-time with zero latency to create powerful lighting effects for large scale productions

High-Speed Flash Sync (HSS)

Provides an HSS flash mode when you need more power for photographers, with zero recycle time at up to 250% of the maximum continuous light output. Enabling you to freeze the action and shoot at wider apertures for better subject isolation, Anova Pro 2 eliminates the need to buy two separate products if you shoot both stills and video, as it provides an all-in-one solution.

True Aperture Dimming

Calculates and displays the correct aperture (f-stop) for your subject at a given distance, facilitating your workflow by eliminating the need for metering. Alternatively, dynamically adjust your brightness level locally on the fixture, to work at your desired aperture.

Designer Fade

This mode provides custom fade up / fade down interview/production effects for DSLR videographers and creative cinematographers, reducing the time required in post-production.

Photometrics

Bi-Color 50 Degree – 6.0 feet (1.8 m)

2710 lux / 252 fc

Lumens: 5337

f-stop at ISO 200/400/800 at 1/60 : f 8 / f 11 / f 15